Sound Hire

Point Source Speakers

FBT Mitus 152a

The FBT MITUS 152 is a two-way active speaker system features 1 x 15″ B&C neodymium woofer with 3″ voice coil and 2″ exit B&C neodymium driver with 2.5″ voice coil coupled to a rotatable 60º x 40º horn built in 1100W + 250W RMS – 136dB SPL amplifier

FBT mitus 218sa

The FBT MITUS 218SA is an Active 2 x B&C 18″ with 4″ VC large vented bass-reflex subwoofer which is the perfect low-frequency extension for the MITUS range built in amplification delivering 2000W RMS – 145dB SPL

FBT verve 112ma

The new Verve Speakers Series features birch plywood enclosures with a scratch resistant textured paint finish, entirely ‘Made in Italy’

FBT Stagemaxx 112ma

The StageMaxX 12 MA is a Processed Active Reinforcement Stage Monitor. Featuring a 400W + 100W RMS amp module delivering 130dB SPL. inside we have a Coaxial custom FBT 12” B&C speakers with 64mm (2.5”) voice coil with a B&C 25mm (1”) exit throat compression driver and 44mm (1.7”) voice coil, outside we have a sturdy gas-injected polypropylene molded enclosure to avoid undesired resonance. All proudly made in Italy. Black finish

FBT J5a

The Black J5A is an Active speaker featuring a 5″ Woofer and a 1″ Silk Dome tweeter This italian made speaker features a rugged gas injected molded polypropylene cabinet and a 60W for the woofer and 30W for the tweeter built-in amplifier.

Line Array Speakers

FBT Muse 210LA

A true line array system encompassing advanced technology and refined Italian engineering – these are the principles behind MUSE, a new sound reinforcement solution from FBT that redefines the modern line array in terms of power, size, light weight, flexibility and ease of use. True modularity means that MUSE is ready for any application, from a small installation using two enclosures to a large outdoor concert deploying 16 speakers per hang.

Mixing Consoles

allen & heath iLIVE T80

The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual ‘write-on’ strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. The iLive-T80 provides all iLive functionality in a cost-effective, light weight chassis with fixed format I/O.

allen & heath iLIVE iDR 16

The MixRack is the heart of the iLive system, housing the DSP, most of the I/O, networking and control interfaces. The tiny iDR-16 is ideal where the physical I/O requirement is small, but as with all the MixRacks can also be used to process the full 64 channels in a compact linked system with digital mic

allen & heath iLIVE iDR 16

The MixRack is the heart of the iLive system, housing the DSP, most of the I/O, networking and control interfaces. The iDR-32 sits in the middle of the fixed format range with 32 Mic/Line inputs and 16 XLR line outputs.

allen & heath QU 16

Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.

Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.

Soundcraft EPM Mixer

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls.

Vocal Microphones

Shure Beta 58a

Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA® 58A has been through the ringer, pushing voice to the limit on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.

sennheiser e 945

The e 945 renders the natural sounds of the voice in particularly forceful colors. Its extraordinary presence and full body effortlessly position the vocals in front of loud instruments. In doing so, the e 945 enriches the vocals with warm nuances that give them a lively fullness in the mix. It is the perfect choice for stages where the vocals require strong emphasis. Its extremely high resistance to feedback underscores the e 945’s affinity for very high volumes. Its solid performance makes it a reliable companion for countless uses.

JTS TM-929

The JTS TM-929 dynamic vocal microphone offers great performance at an entry level price. Featuring a wide frequency response of 50Hz-15kHZ, it is an ideal choice for the vocalist who has a limited budget, but wishes not to sacrifice good sound quality. The rugged die cast body, internal shock mount and magnetic reed type on/off switch also make it a great choice for various applications.

Instrument Microphones

Shure BETA 52A

Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.

shure SM 57

A snare crack. A power chord. A wailing sax. The potent notes that blast from your instrument connect to the crowd on a visceral level. And the sound needs a mic that can handle its strength. For every acoustic condition, the SM57 delivers the power of your playing to every fan in the house.

audio technica AT2031

The AT2031 is the ideal microphone for stringed instruments in critical studio and live applications. Its permanently polarized element offers extended frequency response with a slight rise in the high frequency range for a more detailed sound.

sennheiser e 904

With its consistent frequency response, the e 904 creates a sound that is as transparent as it is harmonic and that can be wonderfully shaped. It can be cleanly embedded in the drum mix thanks to its precise attacks and voluminous body. The set receives an extremely energetic and defined sound with this microphone. The e 904 reliably withstands even the hardest direct hits. Thanks to its practical clip, it is child’s play to attach to the rims of snares and tom-toms. And, with its compact form, it takes up a very small amount of space.

direct injection (DI) BOxs

Klark Teknik DN100

The DN100 has become an established favourite amongst both engineers and musicians alike. With its high headroom, dynamic response and sonic clarity, DN100 faithfully reproduces the character of electric and acoustic instruments and allows far more of the detail of musical performances to be captured. DN100 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 kΩ load. This increased headroom means that much higher level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN100 offers a very wide dynamic range, and only requires a single -30 dB pad for use when connecting directly to instrument amplifier outputs.

Klark Teknik DN200

The DN200 has become an established favorite amongst both engineers and musicians alike. With its high headroom, dynamic response and sonic clarity, DN200 faithfully reproduces the character of electric and acoustic instruments and allows far more of the detail of musical performances to be captured. DN200 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 KΩ load. This increased headroom means that much higher-level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN200 offers a very wide dynamic range, and only requires the -20 dB pad when connecting directly to instrument amplifier outputs or other very high-level signal sources

neutrik NA2F-J-TX

The Neutrik NA2F-J-TX Miniature Transformer Balancing Adapter is a miniature transformer balancing adapter, featuring a 3-pole XLR female to 1/4″ jack, with rugged aluminium housing. This ground lifted miniature transformer balancing adapter is a low cost solution for unbalanced/balanced line conversion and passive DI applications, where no earth or gain switching is required. The D shape adapters are problem solvers for various intermating problems for professional and semi-professional applications. Rugged aluminium extrusion housing is included for best reliability.

All equipment meticulously inspected

All equipment deep cleaned